We love finding new ways to use crafting tools, techniques, and materials outside of their original, intended use. When the folx at Colonial Needle Company asked us to check out Presencia thread and do a project, we immediately went to embroidery since that is what we have always had a supply of Presencia around for. To be specific, we have a supply of Presencia Perle #5 and #3 on hand because we like to use it for general embroidery, but also for mending projects where we need a beautifully chunky thread to really pop off the surface of our fabric. So, yeah, we could have done some sashiko or boro or some freeform embroidery. We considered that. We also considered using it as part of a floral embroidery piece we are doing on a pair of jeans a la your auntie who hung out at Woodstock. We could have done any or all of those things because that is exactly what we have Presencia’s Perle thread for. But, as we said, we love finding new ways to use materials that are a bit outside of their original intent.
Soooo…Out came the crochet hooks!
Now, this isn’t the first time we have made crochet pieces using sewing and embroidery threads and we have patterns for skirts and tops using crochet threads. We just knew the Presencia Perle #3 weight thread was going to work beautifully for crochet. And the fact that it comes in those cute little balls/spools and sets of color combos (the sets we have are the Crayon Sampler, Scarlet Sampler, and Yuletide Sampler) makes them prime for some delicious little projects with crochet motifs. With that in mind, we set to swatching.
First were granny squares which turned out FAB and got us thinking about a larger project using a set of samplers in the future…stay tuned for that. Then we did some round motifs and DING! A light went on: earrings!
Virtually any crochet motif made in thread can be made into earrings. One more test motif and that was it; our Boho Crochet Earrings were born. And we didn’t even have to break out the steel crochet hooks! We actually used a C–2.75mm hook from a standard crochet hook set and, once it was blocked into shape, the finished motif held up beautifully. Yes, Shannon tested them out by wearing them the rest of the day…they are so good!
The Presencia Perle #3 weight thread is very different from working with yarn because the twist of the 2-ply thread creates ridges along the finished surface of the thread. This gives it that sheen with light and shadow reflecting off the surface of the thread but it also means that the thread has some grip to it when it is used in crochet. The stitches almost lock into place when stitched into crochet stitches and blocking further locks the stitches in place. This means projects like these earrings need only a good steam blocking with no starch. The finished earrings have a gorgeous texture to them and are ready to wear immediately after finishing.
Ready to make your own?
Grab your favorite color of Presencia Perle #3 thread, a C–2.75mm crochet hook, and our pattern which can be found below. The pattern includes the instructions for making the earrings as well as the stitch chart and all of the special stitches, techniques, and finishing instructions. Stitch, block, attach your earring findings and you’re ready to wear!
Just be warned: get used to saying “Thanks! I made them!” a lot.
Have fun! And be sure to share your makes with us on Instagram and tag Colonial Needle Company(@colonialneedleco) and us, Shannon and Jason (@embracethecreativechaos) so we can see your creations.
To applique is to apply a piece of fabric on top of another piece of fabric background or on top of a pieced background. This can be done by hand and/or machine, using a variety of methods and techniques. An applique (n.) is the fabric stitched on top of a background, either by hand stitching or using a sewing machine.
What I love about applique:
I love applique for so many reasons! My passion for it is in both the process and the product. I find it awesome, while some find it awful to do. At one time, I belonged to a group of like-minded hand applique stitchers. We could multi-task: sit and stitch and enjoy each other’s company at the same time. I hope to sway some readers to try applique, so this subject probably will probably require more blog posts.
The Economics of applique:
There is actually a little economics history related to applique. Years ago, those who made quilts for function only were probably the first scrap quilt makers. If you had to raise the cotton or sheep, harvest the product, spin the fiber, weave the cloth, make the garment, all while struggling to put food on the table and survive, the most efficient and economical way to make quilts for your family was to join scraps of fabric side by side of whatever was left over from worn out clothing. Over time, when funds were more available, and a quiltmaker desired to make a quilt pretty, she could arrange bits and pieces of fabric together to perhaps design flowers for embellishment and applique them on top of the scrappy pieces. Quiltmakers with even more money and time on their hands added hand applique to their quilt tops. Think crazy quilts, broderie perse.
My journey with applique:
As I enjoy the process – the doing of something (except for dusting and vacuuming), hand applique is a joy for me to do! There are so many ways to hand applique, and my favorite way is needle turn. I remember the moment I saw someone demonstrating it at a local quilt show years ago. She looked so relaxed, so confident, and her work was beautiful. I picked her brain and observed for a while, then decided to try my hand at needle turn applique at home.
In the beginning, I was somewhat self-taught, ironing a freezer paper template on the right side of my applique fabric, tracing around the cut edge with a pencil, then cutting the fabric with a scant 1/4” seam allowance. I left the freezer paper in place as I hand stitched, using thread color that matched the background and tried to conceal my stitches. I quickly learned that matching the color of the thread to the color of the applique fabric was much better. While working and playing in a quilt shop at the time, I offered to teach a hand applique class. When a student asked what kind of needle I used, I promptly replied: “Whatever I can see to thread.” Let’s fast forward from that time, since I have learned so much more about tools and techniques, often times by trial and several errors.
There are a few things that make my needle turn applique look so much better, and much more relaxing and enjoyable to do:
Thread size
Thread kind
Thread Color
Choice of Needle
Needle Grip-Its from Colonial Needle Co.
Roxanne thimbles
The invisible stitch
A lighted magnifier
A pillow on my lap
Cookies and coffee…
Let’s break those down:
1. Thread
Presencia 60 weight thread is my thread of choice for needle turn applique. It is made from the finest quality long staple Egyptian cotton, is 3-ply for strength, and virtually lint free. The bigger the number, the finer the thread, which helps make my stitches virtually invisible. I want my hand stitching to last, so 3-ply (three strands of fiber wrapped together) makes this very fine thread so strong. Whenever possible, I unwind a strand of thread and lay it across my applique fabric to check for the best color. Sometimes I audition several colors. My first glance is my best clue to the color that will become one with my applique.
2. Choosing your needle
John James’ Signature Collection Needles are my needles of choice. They are made of the very finest precision engineered steel, making them so strong. With their proprietary finish, these needles glide easily through fabric rather than prodding it out of place. They are available in 4 different kinds: Embroidery – sizes 7, 8, 9; Milliners – sizes 9, 10, 11; Quilting – sizes 7, 8, 9, 10, 11; and Sharps – sizes 7, 8, 9, 10. As with thread sizes, the bigger the number, the finer the hand sewing needle. Machine sewing needles are the opposite.
My needle of choice with my knobby fingers, is a Milliners size 10. It is longer and allows me to sweep the seam allowance under as I go, concealing the drawn line of my applique. I now remove the freezer paper prior to stitching.
*TIP: in tight places like an acute “innie” point, I have a Quilting needle size 7 already threaded. I park my Milliners needle in the background, and make tiny stab stitches with my threaded Quilting needle to invisibly secure those tricky little “innie” points.
You may prefer to begin with a different John James Signature Collection needle or one of the many others offered by Colonial Needle Company. Just as some shoes are comfier than others, see what is the best fit for you and your hands.
3. Needle Grip-Its
Prior to stitching, I secure two little adhesive clear circles of Needle Grip-Its to my needle-holding hand on my forefinger and thumb where I will be gripping the needle. Faithfully using these little magic circles, I have no pain in my hands, and can stitch to my heart’s delight! These tiny adhesive circles stay securely in place during the repetitive motion of gripping and pulling a needle.
4. Roxanne Thimbles
I was happily gifted with a Roxanne Thimble several years ago, and it is the gift that keeps on giving, helping me to painlessly push the needle through fabric, regardless of what kind of hand stitching I am doing. The sideways motion of using Roxanne’s Thimble is better for one’s hands. Getting a correct fit is also important, and quilt shops who carry them are so helpful. Colonial Needle also has a handy info sheet on their website which can be found here.
*TIP: add a Roxanne's Thimble to your gift list, as well as matching Roxanne's Thimble earrings! They are so cute and readily identify you as a hand stitcher.
5. Lighted Magnifier
The lighted magnifier allows me to place light right over my work and more easily see where I am stitching, especially the tip of my needle as I insert it into the background fabric then upward through the underside of the fold.
6. Lap Pillow
The pillow on my lap helps bring my work to a more comfortable position so I can rest my arms and be at ease.
7. And last but not least…
The cookies and coffee, inspire me to take breaks to get up and stretch, walk into the kitchen, and let my little dogs out for a break for them, too.
In Conclusion:
Each of these tools will help your hand applique stitch become nearly invisible, strong, and secure. I think of the fold of the seam allowance of an applique as a cliff, and I am standing on the edge of the cliff. I bring my needle up from the inside of the applique to the back side of the fold, then “jump off the cliff” straight down with my needle into the background. Then travel with the point of my needle under the background a very few threads and come up with the needle just under the fold, the edge of the cliff. If you jump off the cliff/fold to the left or the right with your needle, your thread will show.
*TIP: Instead of scrunching the excess background fabric in my left hand while stitching with my right hand, I roll the excess fabric so that it fits neatly into the palm of my left hand. This keeps my fabric smoother, reduces stress on my hand, and helps prevent me from stitching my background to the wrong places as in my pillow or my clothing. I have learned a lot from my many mistakes.
Oh, the joy of needle turn applique! I feel like an artist, a sculptor, and I can “make the applique my own” by changing a shape as I go. Hand applique helps slow me down, listen to music or a recorded book, watch TV, talk with friends, or just sit quietly, breathe, and put a little love into every stitch. I can take a project with me on a walk along the river, sit down on a bench and stitch whenever and wherever I choose. I enjoy sitting outside in the cool mornings with my little girls, being serenaded by the birds’ songs and stitching by hand.
There are several ways to applique, and I look forward to sharing them with you as well. There is beauty in hand work, a human quality that is beneficial for the hand stitcher as well as for the person who admires or receives the work of one’s hands and heart. Be kind to yourself and savor every stitch. Just as my dad had a box full of hand tools that helped him with his work and play, there are tools that are helpful to those who enjoy hand applique and think of it as Awesome. There is joy and grace in simple things.
Applique is an awesome, not awful, word to me. I feel like a sculptor as I swoop and turn under that scant 1/4” seam allowance; traveling down straight folded edges of applique fabric, then creating curves, dipping into innie points and playing with my newest trick for pointy outie points. There are several things I suggest doing in preparation for my joy of sculpting fabric, AKA: hand applique.
Thing 1: Gather your tools. Tools as in fabric cutting scissors: sharp to the point and rather short for better control of where you clip and how far you clip into the seam allowance. And use just those sharp points of your scissors to clip and trim. I learned that the hard way several years ago while hand quilting on a frame on my mother’s quilt. I opened large scissors all the way and clipped the thread as well as the quilt top. That was a good, life-long lesson I learned that day. Sometimes I also use pinking shears to carefully trim the cut edges of the applique, taking tiny bites out of the fabric for ease in turning under the seam allowance and reducing bulk beneath the applique. Practice first with those pinking shears. You can always trim away more, but it is most frustrating to try to turn under a seam allowance that is too narrow and ultimately frays.
Thing 2: One of my favorite tools for hand applique that I gather is a thimble. I especially love using Roxanne Thimbles. A correct fitting is required (Colonial Needle has put some tips together here). When I owned a quilt shop several years ago, I suggested to my customers who were interested in a Roxanne Thimble that they bring some handwork, and spend a little time trying out several sizes by sittin’ and stitchin’ for a little while — somewhat like walking around in a new pair of shoes to make sure they fit prior to purchase. In addition to being very comfortable with a proper fit, Roxanne’s Thimble is ergonomically better for your hands. The side-push of the needle with your finger is better for your hands than pushing the needle with the tip of your finger. Using this thimble allows me the joy of continuing to hand stitch for many years to come. Roxanne’s Thimble also makes a lovely gift for that special friend or family member with a choice of gold plated, silver plated, or sterling. Every time I use mine, I am reminded of a dear friend who gifted me with one- a gift that keeps giving.
Thing 3: Another very small but also very helpful tool are Needle Grip-Its. Press your thumb and fore- finger together where you grip a needle. Then peel a little circle from a sheet in the package and apply the sticky side to the tip of your thumb on your dominant hand. Repeat for your forefinger on your dominant hand. The repetitive motion of gripping, pushing, and pulling a needle can cause pain and swelling in one’s hands. These little unobtrusive circles stick well to your finger and thumb, and help to more easily grip and direct the needle exactly where you desire into the fabric. This also helps with that invisible applique stitch. Needle Grip-Its come packaged in sheets of 70 adhesive dots to easily carry in your sewing basket. They can also be cut into pairs to include in customers’ kits for classes, offering a great opportunity to try before you buy.
Some of my favorite tools to do one of my favorite things: hand applique!
Thing 4: The quality of Presencia Thread for my hand applique assures me that the time and effort I spend making my stitches as invisible as possible is well worth it. Presencia begins with the finest 100% Egyptian Cotton, virtually lint-free, strong, and durable. As I acquire more candles on my birthday cake and my number becomes bigger, I am reminded that the bigger the number, the finer the thread (and hand sewing needles – sewing machine needles are the opposite.) For those nearly invisible hand applique stitches, there are four things that are especially helpful: applique thread size, applique thread color, the needle, and the stitch. I recommend sewing with sizes 50 weight or 60 weight for hand applique. Both sizes 50 and 60 are 3-ply (three fibers plied, twisted into one fine thread) therefore also very strong. For thread color, if possible, unwind a few inches of Presencia Thread from the spool and lay it across your applique fabric. We used to just lay a spool of thread across the fabric to audition thread color, but another lesson learned, thread color on the spool is different from a strand of thread. My personal favorite thread size is 60 weight since it is smaller in diameter than 50 weight.
Thing 5: I love so many needles that Colonial Needle Company has to offer. Over the years, I have also learned that fitting the needle to the thread and the project is most important. I used to sew with whatever needle I could see to thread, with whatever thread was available. With time comes wisdom! I really enjoy using the John James Signature Collection Needles, especially their Milliners and Quilting Needles for needleturn applique. The Milliners are long, very fine, strong, and help to easily pierce the folded edge of my applique as well as the background fabric. Because the needle is so sharp and made in England of the finest quality steel, I can easily pierce the fabric rather than push and distort where I want the applique. The length of the Milliners Needle helps me to turn under the seam allowance then hold the fold with the thumbnail of my other hand. With needleturn applique, I can spend my time and effort stitching, rather than preparing the appliques, although I must admit that friends who do prepared hand applique do beautiful work. The process of needleturn is what I love so much! Sometimes I enjoy a change, and use the John James Signature Collection Quilting Needle. It gives my hands a break, kind of like changing from tennis shoes to slip-on shoes mid-day. John James Signature Collection Needles also are available in Embroidery and Sharps Needles. They are packaged in the USA in crystal clear tubes of 25 needles, enough to keep you supplied for quite a while and to share with friends.
Thing 6: Just to mention a few other things I keep handy in preparation for hand applique: I highly recommend a good light source directly over your work. My light source is also magnified, helpful due to all those birthday candles…I also stitch with a pillow on my lap which helps to bring my sewing up to a level that is comfortable for me, and helps me rest my hands as well as more accurately position my needle and scissors. A pincushion for fine straight pins is a better option than the arm of my “nest” chair where I sit and stitch. A needle threader is helpful, and I will have a suggestion on tips for threading a needle in blogs to come. I enjoy hand sewing so much that I neglect getting up and moving around, so setting a timer is a good reminder for me if I am listening to an audio book or the serene sound of silence while I sew. If watching TV, I challenge myself to stand and stretch during commercials.
I try to keep several containers, baskets and boxes prepared with a collection of tools and WIPS (Works in Progress) for grabbing and going out the door, or putting in my car the evening prior to an appointment or meeting. One never knows when one will need to savor just sittin’ and stitchin’. Most of us can multi-task anyway- listen and stitch. Needleturn applique helps me to be somewhat less annoying while listening to a speaker, while waiting for a delayed appointment, or for taking to the park when I have some time to spare between appointments. It also offers me the opportunity to meet new people, share interests, and perhaps even acquire converts to hand sewing. It’s all good, and gets better with the best and right tools and tips.
It seems that the origin of April Fools’ Day is somewhat a mystery, although many of us especially enjoy celebrating and having fun with others on that day. I would like to share some tricks and tips with you today that might help take some of the mystery out of sewing as well as make it more enjoyable…except for mending and hemming blue jeans…that is another story.
Trick one:
I love hand sewing, and have a passion for needleturn applique! Before I begin any hand sewing, I prepare by adhering Needle Grip-Its to the tips of my forefinger on my needle-holding hand. The repetitive motion of gripping and pulling a needle causes pain in my hands, and these non-intrusive little dots grip the needle without leaving sticky reside on the needle throughout an entire movie on TV, including commercials!
Tip two:
As I settle in my favorite comfy chair for an evening of hand sewing, I place a pillow behind my back, and plop a smaller pillow on my lap. On the small pillow, I have safety-pinned a rectangle of white wool, although any white fabric will help me see the eye of the needle as I stand it needle upright in the white fabric and into the pillow. Once the needle is threaded, I turn the pillow over and use it as a support for my hands while sewing. This pillow is one of the “tools” that helps steady my hands and place the tip of the needle exactly where I want it while making needleturn stitches nearly invisible. I can also position my project on the pillow, place applique pieces, and insert straight pins vertically. Then, I can lift edges of the applique and apply Roxanne’s Glue Stick down the center of the wrong side of the applique fabric. The pillow on my lap also provides a place where I can rest my hands and arms.
Trick three:
Colonial Needle Dual Threader is also so helpful in threading that needle standing upright in my pillow on a piece of white fabric. This single needle threader offers one end for standard needle threading, and on the other extra-large end, a threader for threading Presencia Perle Cotton sizes 12 and 16, or several strands of solid or variegated long staple 100% cotton Presencia Embroidery Floss. If you are adventurous, try threading one strand of floss and a strand of perle cotton, of a different color, together. This long handle needle threader also aids in threading sewing machine needles.
Tip four:
One tip for making hand sewing stitches as invisible as possible, is to stitch with Presencia 60 weight thread. If you are hand stitching on items that will receive lots of wear, use 40 weight. For medium wear, try 50 weight. Remember: the bigger the number, the finer the thread and hand sewing needles. Consider sewing buttons on garments with Presencia Perle Cotton, size 12 or 16.
Trick five:
Another trick for making those stitches nearly invisible is to audition the thread color. Unwind about 12 inches of thread and lay it on top of the fabric. Thread color should match the color of the applique fabric, not the background for those invisible stitches. If hand stitching a hem, dribble the thread from the spool on the right side of the garment. Thread color looks different on the spool than when one strand is placed on top of fabric.
Trick six:
I highly recommend John James new Signature Collection needles for hand sewing. These ultra-sharp, strong, fine needles are available in Betweens, Sharps, Embroidery, and Milliners, and are packaged 25 to a tube. As with thread sizes, the bigger the number, the finer the needle. So, if you prefer to relax and enjoy doing hand embroidery with several strands of lovely solid or variegated Presencia floss, select a size 7 needle. The fewer strands of floss that you use, the larger the size number of the needle. If needleturn hand applique is a favorite way to relax and stitch for you, try a size 11 Milliners or Sharps and Presencia 60 weight thread. The points of these needles is so sharp that they easily pierce the fabric rather than push it out of place.
Colonial Needle Company has so many excellent products and tools to assist in helping those of us who need a daily dose of working and playing with fabric, needles and threads. Select products and use tips and tricks that make working on your projects fun, easy, and result in the best finished product you can do.
I love the peace and serenity of our back yard; serenaded by birds and the rustle of leaves in the trees, early in the morning before lawn mowers get cranked up. Even on gray rainy days, the sound of raindrops on the roof provides a sense of peace and tranquility while I sip morning coffee and stay snug and dry under the extended roof over the back porch. I look up from my hand stitching when Sable and Sadie race and chase after squirrels that they will never catch, as those annoying little fluffy- tailed critters leap from tree to tree, taunting our furry little girls.
Making quilts for children also provides a wonderful sense of peace and fulfillment for me. A dear friend and I love to make charity children’s quilts. There are children in need, and we want to help provide the comfort of a quilt for as many children as we can. Debbie has a very large sewing room at her house, so she cuts the tops and backings, layers with batting, pin-bastes the layers together, and marks a diagonal grid with Roxanne’s marking pencils for machine quilting. She passes the quilts to me and I machine quilt and stitch the binding to the top. Debbie and I hand stitch the folded edge of the French fold bindings while binge-watching streamed TV in the evenings.
I love the process of doing something (except for the process of vacuuming and dusting.) I need a bumper sticker that tells the person behind me that “I would rather be sewing,” or “I would rather be shopping for fabric.” What would you rather be doing? What would your bumper sticker say about you?
Back to enjoying process…
I find that machine quilting the grid on these children’s quilts is so peaceful. Most of the tops are whole cloth, 36” x width of fabric, although some are lap size larger. Debbie creatively and artistically extends panels and darling children’s prints for tops by piecing, adding borders, turning plain-Jane fabrics into something fun for a child. Debbie is also a master at piecing scraps and strips together to make the bindings. Piece by piece, we hope to provide comfort and peace for children. This process provides a sense of peace for us as well. As I machine quilt the layers, I sometimes listen to audio books borrowed from our local library. At other times, I listen to music on my laptop. And sometimes, I simply savor the peace and quiet of the hum of my machine.
The peace acquired by hand stitching bindings is enhanced by the newest John James Signature Collection Needles from Colonial Needle Company. I had an opportunity to try the John James Signature Collection Milliners, size 10, for needle turn applique, one of my passions. What a joy! This needle is so sharp and glides so smoothly—easily piercing the turned edge of fabric rather than pushing or distorting it, which provides more accuracy and much greater ease of stitching. These needles are so user friendly that some of my “I don’t do hand applique” friends may even take up the art, joy, and passion of hand applique.
Threading the new John James Signature Collection Milliners, size 10, with Presencia 60-weight thread was also easy. Presencia 60 weight thread is 3-ply, long staple, so very strong while also very fine, perfect for hand applique and hiding those stitches. The length of this John James Signature Collection Milliners also made it perfect for swooping under and turning the seam allowance. One more thing I highly recommend is using two Needle Grip-Its to more easily grip the needle. Adhere one to your forefinger and one to your thumb tip on the hand with which you grip the needle. The repeated motion of gripping and pulling a needle can result in pain in hands and fingers over time. These great grips enable me to stitch for hours pain-free, also adding to my peace of mind whether I am doing hand applique or hand stitching a binding on a quilt.
One more thing…
I also tried stitching bindings with the newest John James Signature Collection Sharps, size 10. What a joy to easily pierce the backing, glide through the batting, and pierce upward to catch the fold of the binding. These needles are also strong, sharp, glide easily, and enhance my time of peace and quiet while listening to the sounds of chirping birds or a best seller book, peaceful music or the sound of silence. I’m eager to try these new John James Signature Collection Needles on hand piecing, too.
The process of sewing and creating is both peaceful and exciting for me. I enjoy the doing part of a project, not just the finished product. Using the best tools enhances both the process and the product. I highly recommend these new John James Signature Collection Needles. Just when you thought needles could not get any better ~ they did, they do, and they are!!
Yesterday I had the pleasure of presenting a program on “The Wonderful World of Wool” at the Colorado Valley Quilters’ Guild in La Grange, Texas, home of the Texas Quilt Museum. What an amazing group of ladies whose hearts and hands serve not only their families, but their community as well. Many serve as docents for the museum, provide books and quilts for families, and share their talent and creativity with others.
I have convinced myself that the older I get, the bigger my number, the “finer” I get. This helps me remember that the bigger the number, the finer the thread and hand sewing needles. Machine sewing needles are just the opposite. Presencia Perle Cotton threads, sizes 3, 5, 8, 12, and 16 are the same: the bigger the number the finer, smaller the diameter of the thread.
John James Chenille Needles have a larger, very smooth shaft that opens the fibers on wool. Those wool fibers of course, close again after the thread is pulled through. Presencia Perle Cotton size 5 can easily be threaded through the elongated eye of a size 18 chenille needle. Try playing with a combination of a strand or 2 or 3 of Presencia Finca Floss with a contrasting color of Presencia Perle Cotton and stitch at the same time. Perhaps you would like to test this thread combination on a scrap of wool before stitching on your project or throw caution to the wind and just begin stitching!
I also like to play with what I call a “wrap” stitch. I sew a running stitch line of Perle Cotton size 8, solid color, on a scrap of wool, making my stitches about ¼” long. With a contrasting color of Perle 8 and a John James Tapestry Needle, size 22, I come up from the back of the wool at the bottom of the line of stitching. Then I slide the needle just under the first thread from right to left, not stitching through the wool. A tapestry needle is dull, so I can easily slide my needle under the next stitch, right to left, and continue with this pattern. Try it, and take a look at what you have created. Consider doing the “wrap” down the line of running stitches to where you began with yet another color of contrasting thread. Think of all the times you can use these great decorative applique stitches and have fun while playing.
Wool applique wrap stitch example
Up-close view of wool applique using Presencia threads
I think we have some new wool applique enthusiasts from the Colorado Valley Quilt Guild. They also seemed to enjoy seeing all the options and surprises that can result from playing with needles and threads. The choices are endless, and the process is fun and rewarding.
