Needle Turn Applique “Seams” Fun to Me

by Judy Moore Pullen

There are so many ways to applique, both by hand and by machine. For many stitchers, the word “applique” is not pleasant. I avoided it when I first began making quilt tops, even though I do love to work with my hands. And…I am somewhat less annoying when I am hand stitching. I well remember the first time I saw a young woman doing needle turn applique at a quilt show several years ago. I was amazed at how easily she shaped the heart applique and made nearly invisible stitches. The appliqued heart appeared to float on the background fabric. I knew that was something I wanted to learn to do. Now, however, there are several things that I especially enjoy about needle turn applique.

Thing 1: For needle turn applique, I spend very little time on preparation for stitching, as opposed to prepared applique techniques. I can more leisurely spend time stitching, and less time turning the seam allowance and securing it with glue, starch and a hot iron or basting thread, etc. Not to be negative about prepared applique, however, there certainly are advantages, about which I will write in blogs to come.

Thing 2: I love using these Milliners Needles from John James in a size 10 for hand applique. The Signature Collection needles are manufactured of the finest steel, polished so they smoothly glide through fabric. The points of these needles are so sharp that they pierce rather than push the fabric, which is so helpful for accuracy, and allows me to continue stitching for a longer period of time. The longer length of Milliners needles allows me to smoothly sweep under the seam allowance. To be more specific, I sweep the seam allowance under the extended thumbnail of my fabric-holding left hand. That thumbnail is a great tool, and I suggest it on my workshop supply lists. A claw-length thumbnail is not necessary, but long enough to secure the seam allowance in place as you use your Milliners needle and 60 weight thread.

Thing 3: There are several things about thread that also help to make your hand applique stitches nearly, if not completely, invisible. Remember: The bigger the number, the finer the thread, and hand sewing needles. Just like us: the more candles on our birthday cakes, the finer we are!! (Machine sewing needles are just the opposite.) My thread of choice for hand applique is Presencia Finca 50-weight or 60-weight, preferably 60-weight if I can get a good color match with the applique fabric. Another memory: when I began hand applique, I used a thread color that matched the background, and no matter how hard I tried, my stitches showed. Then my internal light bulb came on and I tried a thread color to match the applique fabric. BINGO! What a winner of an idea!!

Now here’s another tip about thread color: unwind a length of thread, about 10 inches from the spool and puddle it on the applique fabric, rather than just laying the spool of thread on top of the applique, like we learned in high school Home Economics when making garments. If your applique fabric is multi-colored, make sure that the puddle of thread touches all of the colors. When in doubt, audition/puddle another color of thread, step back, look away, then look again. Make your choice.

One more thing! If your applique fabric has many strong colors, try auditioning Presencia 60-weight thread, color #352. It is a great gray neutral, and just might work well. It is also my thread color of choice for more most of my machine piecing, and 60-weight thread is so fine that it helps with machine piecing accuracy.

Thing 4: The needle threading and weight are the next important things that help your applique appear to float on top of the background. I thread my Milliners Needle from the spool of Presencia 60-weight thread and leave about a 4” thread tail at the eye end of the needle. Pinching the thread at the eye of the needle, I unwind the spool to about the middle of my upper arm (former muscle) and cut the thread straight across with sharp scissors. This end is where I make a tiny quilter’s knot that becomes buried beneath the background or between the background and applique. The eye of these Signature Collection needles is so smooth that your thread will not shred. And, Presencia thread is 100% long staple Egyptian cotton, which is smooth and so strong because it is 3-ply, another huge advantage of using these needles and threads. Especially important as you are also using your time, energy and creative efforts to make something beautiful and lasting.

One more thing before your stitch: adhere an adhesive Needle Grip-It circle to your forefinger and one to the thumb of your needle stitchin’ and pullin’ hand. This is so helpful in relieving stress from the repetitive motion of hand sewing, allowing you to sit and stitch with ease. You won’t even notice the Grip-Its are there!

Thing 5: Now for the nearly invisible stitch. Prepare to stitch by making a “puppet” of your background by folding the outer edge, opposite of where you will be stitching, then gently roll the fold until your thumbnail is on top of the seam allowance of the applique. The neat roll of fabric will be nestled in the palm of your hand rather than all scrunched up. This helps prevent unnecessary wrinkles in your fabrics and helps to make your stitches more precise. It also helps relieve stress on your hand. If possible, begin where there is a straight or nearly straight side on your applique, and with your needle, sweep the seam allowance under your less dominant hand thumbnail, making sure that the marking of the seam allowance is just folded under. About 1/4” away from the folded edge of the applique, beneath the background fabric, or between applique fabric and background, come up just on the tiny edge of the fold of the applique, actually more to the back of the fold if possible, and pierce a couple threads of the applique fold with your needle. Slowly, to avoid knotting your thread, pull the thread through the edge of the folded seam allowance, keeping your thumbnail on top of the fold. Give a little tug on the thread near the end, then insert your needle into the background just beneath the fold where your thread came through the applique. Note: if you insert your needle to the left or the right or away from the fold, it WILL show, I promise.

Thing 6: Now, begin the next stitch by gently moving your thumbnail slightly away from the first stitch, and sweep the seam allowance under your thumbnail with the side of your needle. This is where the length of a Milliners Needle is so helpful. Depending on the weave of your fabric, you may need to use the point of the needle to position the seam allowance so that the mark of the seamline does not show. Then, sliding your needle about 1/16” or less beneath the background, come up on the back edge of the folded seam allowance, pierce the back edge of the fold, catching a couple of threads of the applique and slowly pull the thread upward. Tip: if your thread color so closely matches the applique, to find where to piece the background, gently pull the thread away from the applique, extending over the background, making a right angle with the thread to the edge of the fold. Now, tuck the point of your needle just under the fold, slide beneath and come up slightly away from your last stitch. Be patient with yourself if you are a beginning beginner or even an advanced beginner. This is the work of your hands, not computer-generated, which in my opinion, is of great value. Learning, doing, and practicing are so valuable.

Thing 7: Keep going, but take some breaks. I also highly recommend using a lighted magnifier directly over your work and your hands as you stitch. Using a lighted magnifier right over my sewing hands allows me to continue what I love to do, sculpting fabric and making pretty things. My eyes are rested, my hands are not sore, and I am relaxed with the process of hand applique, especially if I rest my work and my hands on a pillow on my lap as I stitch. A pillow for your lap is also on my workshop supply lists. It can be used for a nap as needed…

I have read that we can learn from our mistakes, therefore I have certainly learned a lot. Be kind to yourself, and others. Take someone under your wings and share what you have learned and what works well for you. Thank you for taking your time to read and try these tips, tricks, and techniques. I hope they are helpful.

Happy sewing,

Judy Moore Pullen

Peace ~ Piece by Piece

By Judy Moore Pullen

I love the peace and serenity of our back yard; serenaded by birds and the rustle of leaves in the trees, early in the morning before lawn mowers get cranked up. Even on gray rainy days, the sound of raindrops on the roof provides a sense of peace and tranquility while I sip morning coffee and stay snug and dry under the extended roof over the back porch. I look up from my hand stitching when Sable and Sadie race and chase after squirrels that they will never catch, as those annoying little fluffy- tailed critters leap from tree to tree, taunting our furry little girls.

Making quilts for children also provides a wonderful sense of peace and fulfillment for me. A dear friend and I love to make charity children’s quilts. There are children in need, and we want to help provide the comfort of a quilt for as many children as we can. Debbie has a very large sewing room at her house, so she cuts the tops and backings, layers with batting, pin-bastes the layers together, and marks a diagonal grid with Roxanne’s marking pencils for machine quilting. She passes the quilts to me and I machine quilt and stitch the binding to the top. Debbie and I hand stitch the folded edge of the French fold bindings while binge-watching streamed TV in the evenings.

I love the process of doing something (except for the process of vacuuming and dusting.) I need a bumper sticker that tells the person behind me that “I would rather be sewing,” or “I would rather be shopping for fabric.” What would you rather be doing? What would your bumper sticker say about you?

Back to enjoying process…

I find that machine quilting the grid on these children’s quilts is so peaceful. Most of the tops are whole cloth, 36” x width of fabric, although some are lap size larger. Debbie creatively and artistically extends panels and darling children’s prints for tops by piecing, adding borders, turning plain-Jane fabrics into something fun for a child. Debbie is also a master at piecing scraps and strips together to make the bindings. Piece by piece, we hope to provide comfort and peace for children. This process provides a sense of peace for us as well. As I machine quilt the layers, I sometimes listen to audio books borrowed from our local library. At other times, I listen to music on my laptop. And sometimes, I simply savor the peace and quiet of the hum of my machine.

The peace acquired by hand stitching bindings is enhanced by the newest John James Signature Collection Needles from Colonial Needle Company. I had an opportunity to try the John James Signature Collection Milliners, size 10, for needle turn applique, one of my passions. What a joy! This needle is so sharp and glides so smoothly—easily piercing the turned edge of fabric rather than pushing or distorting it, which provides more accuracy and much greater ease of stitching. These needles are so user friendly that some of my “I don’t do hand applique” friends may even take up the art, joy, and passion of hand applique.

Threading the new John James Signature Collection Milliners, size 10, with Presencia 60-weight thread was also easy. Presencia 60 weight thread is 3-ply, long staple, so very strong while also very fine, perfect for hand applique and hiding those stitches. The length of this John James Signature Collection Milliners also made it perfect for swooping under and turning the seam allowance. One more thing I highly recommend is using two Needle Grip-Its to more easily grip the needle. Adhere one to your forefinger and one to your thumb tip on the hand with which you grip the needle. The repeated motion of gripping and pulling a needle can result in pain in hands and fingers over time. These great grips enable me to stitch for hours pain-free, also adding to my peace of mind whether I am doing hand applique or hand stitching a binding on a quilt.

One more thing…

I also tried stitching bindings with the newest John James Signature Collection Sharps, size 10. What a joy to easily pierce the backing, glide through the batting, and pierce upward to catch the fold of the binding. These needles are also strong, sharp, glide easily, and enhance my time of peace and quiet while listening to the sounds of chirping birds or a best seller book, peaceful music or the sound of silence. I’m eager to try these new John James Signature Collection Needles on hand piecing, too.

The process of sewing and creating is both peaceful and exciting for me. I enjoy the doing part of a project, not just the finished product. Using the best tools enhances both the process and the product. I highly recommend these new John James Signature Collection Needles. Just when you thought needles could not get any better ~ they did, they do, and they are!!

Peace be, piece by piece.

Happy Stitching!

Judy Moore Pullen

Playing with Needle and Thread

Playing with Needle and Thread

By Judy Moore Pullen

Yesterday I had the pleasure of presenting a program on “The Wonderful World of Wool” at the Colorado Valley Quilters’ Guild in La Grange, Texas, home of the Texas Quilt Museum. What an amazing group of ladies whose hearts and hands serve not only their families, but their community as well. Many serve as docents for the museum, provide books and quilts for families, and share their talent and creativity with others.

One of the wonderful things about wool is that I can play with threads. John James Chenille Needles, sizes 18-26 provide the opportunity to use beautiful Presencia Finca Floss and all sizes of Presencia Perle Cotton threads.

I have convinced myself that the older I get, the bigger my number, the “finer” I get. This helps me remember that the bigger the number, the finer the thread and hand sewing needles. Machine sewing needles are just the opposite. Presencia Perle Cotton threads, sizes 3, 5, 8, 12, and 16 are the same: the bigger the number the finer, smaller the diameter of the thread.

John James Chenille Needles have a larger, very smooth shaft that opens the fibers on wool. Those wool fibers of course, close again after the thread is pulled through. Presencia Perle Cotton size 5 can easily be threaded through the elongated eye of a size 18 chenille needle. Try playing with a combination of a strand or 2 or 3 of Presencia Finca Floss with a contrasting color of Presencia Perle Cotton and stitch at the same time. Perhaps you would like to test this thread combination on a scrap of wool before stitching on your project or throw caution to the wind and just begin stitching!

I also like to play with what I call a “wrap” stitch. I sew a running stitch line of Perle Cotton size 8, solid color, on a scrap of wool, making my stitches about ¼” long. With a contrasting color of Perle 8 and a John James Tapestry Needle, size 22, I come up from the back of the wool at the bottom of the line of stitching. Then I slide the needle just under the first thread from right to left, not stitching through the wool.  A tapestry needle is dull, so I can easily slide my needle under the next stitch, right to left, and continue with this pattern.  Try it, and take a look at what you have created. Consider doing the “wrap” down the line of running stitches to where you began with yet another color of contrasting thread.  Think of all the times you can use these great decorative applique stitches and have fun while playing.

quilting, applique

Wool applique wrap stitch example

quilting, applique

Up-close view of wool applique using Presencia threads

I think we have some new wool applique enthusiasts from the Colorado Valley Quilt Guild. They also seemed to enjoy seeing all the options and surprises that can result from playing with needles and threads. The choices are endless, and the process is fun and rewarding.

Happy stitching,

Judy Moore Pullen