My Pink Nesting Place

My Nesting Place

By Judy Moore Pullen

We all need a place to relax, create, and play. My place is a pink wing-back chair, surrounded by things that make me comfortable and cozy. My pink chair is like a “learning set” which I encouraged parents to provide for their children during my years as a public-school educator. It is the place that my body and soul go to and get ready to hand sew.

nesting place

My Pink Nesting Place

I discovered my pink chair in a resale shop in San Angelo, Texas, years ago. My pink chair has accompanied me on several moving ventures and adventures. It has suffered some dings, which I cover with an old piece of lace across the wings. Try as I might to connect with my pincushion on the table next to my pink chair, it continues to endure punctures of needles and pins in the upholstered arm on the right. A handmade rolled pillow, a gift from friends years ago, fits across the back to better conform to my back.

On the right side of my nest is a once discarded small end table that my dear husband, Don, picked up at a garage sale before we met. I have adopted it, placed a lovely vintage lamp on top, and scatter balls and spools of thread, pretty little bowls for scraps, a funny coaster for refreshment, and an array of pencils, scissors, note pads, and flat out stuff.

Adjacent to my table, I have extended my nest to include the arm of a big leather sofa. I admit to having more than one hand stitching project going at a time…I have a problem. The arm of the sofa is large enough to hold an old jewelry box encrusted with black beads, also a great find from a resale shop. On the inside of the box, my jewels of choice are needles, straight pins, needle threaders, small scissors, a Roxanne Thimble, Needle Grip-its, and bits and pieces of needful things. There is still room on the arm of the sofa to hold a stack of on-going projects.

Box for all my "jewels"!

Box for all my “jewels”!

Since I am AARP age, I have bonded to a lighted magnifier with a flexible arm that sits on the floor on the left of my pink chair. Early in the evening, if the stitching I am doing is not too small, I bend the flexible arm and place the light right over my work. As the evening progresses and my eyes tire, or if my work is small and detailed, I lower my light and peer through the magnified glass.

There is another small table to the left of my pink chair that belongs to Don as he joins me in the evening, paws up in his recliner. I have been reminded, a few times, that I have my own table…but he is still willing to share if I need to spread out.

Sometimes during the day, I place things on my pink chair: mending, a new quilt magazine to share with Don for ideas for the barn quilt blocks he paints, a bag of chocolates for munching in the evening.

My nest is a pink chair, a place where I am comfortable and my mind and spirit get set to sew.  I jot down ideas as they bubble up in my mind during the evening. My nest gets messy, but so do I when I am in the throes of making something by hand. It is my place. I have ownership. I was once offered a brand-new recliner, which I promptly turned down. Only now is my pink chair perfectly broken in.

I believe we all need a place where we can go, do those things we enjoy, and just be. I hope that my pink chair lasts as long as I do. It is a gift that I gave myself years ago that keeps on giving, and giving, and giving. A thought just bubbled up into my mind:  I need to put my old pink princess phone on the table next to my pink chair!

Wishing you a nest place of your own.

Happy Stitching,

Judy Moore Pullen

Designing & Playing with Wool

Designing & Playing with Wool

By Judy Moore Pullen

If one plays around with fabric and threads, one can discover her own inner creative child, which is what gracious members of the Wimberley Quilt Guild in Wimberley, Texas, did last week. I had been invited to do a lecture and trunk show featuring wool applique, followed by an afternoon workshop. I passed around samples of hand applique using felted wool from the bolt and re-cycled wool. We also cooked/over-dyed wool in crock pots using onion skins, Kool-Aid, and a color transfer technique.

In the afternoon, after a discussion of becoming aware of designs all around us, guild members began thinking and talking about how they could transform several pieces of wool and a bag full of wool scraps into their own personal designs. I just love the process part of a project, and the easy-going interaction of the ladies was an important part of that process. They were encouraged to do “walk-abouts”, and see what others were doing, offer suggestions and comments. Some wanted their design ideas complete before beginning to stitch, while others jumped right in and took needle and thread to fabric.

wool applique prep

Prepping!

Wool applique prep

We also discussed tools: John James and Mary Arden Chenille Needles for wool applique and Tapestry Needles for wrap stitching. Chenille needles work so well with wool. They are strong, have a sharp point, and the shaft opens the fibers of wool so that the thread glides easily through. The elongated eye makes threading easy with Presencia’s Perle Cotton and Embroidery Floss. Tapestry needles are blunt, therefore make sliding the needle under stitches and not penetrating the fabric much easier. Wrapping stitches with contrasting colors of thread with a tapestry needle is part of the fun.

The ladies also played and experimented with Colonial Needle Felting Needles and Box Wool Roving. Needle felting and roving opens up the door to so many design possibilities.

wool roving

Coloinal’s Paint Box Wool

One of the secrets of using roving is to separate the roving into little see-through wisps. Place a piece of wool on a 2”-3” thick block of foam rubber. Layer of wisp of roving on top. Hold the felting needle straight up and down and punch the roving gently into the wool. Add more wisps of different colors to create texture. Gently sweep the tip of the needle against the wisps to make shapes. Couch with Presencia Perle Cotton or Embroidery Floss in a variegated or solid color if you desire.

Eleanor, who is going into the second grade this fall, created a one-of-a-kind piece of over-dyed wool by layering 3 colors of 100% wool and brown onion skins.

Eleanor's Dyed Wool

Eleanor showing off her dyed wool

She rolled up the layers and tied the bundle with strips of wool, then cooked the bundle in a crock pot. She also had great fun cutting her own shapes of wool and stitching with Perle Cotton. Eleanor took to needle felting and hand applique like a proverbial duck to water.

wool applique

“Just Play and have fun!”

Just play and have fun! If it is not perfect and you are, call it a one-of-a-kind piece of folk art. You will improve with practice and play. In my opinion, there is great value in work done by the human hand and not “perfect”. I was so inspired by Eleanor and all of the gracious members of the Wimberley Quilt Guild. They are great teachers, eager to learn, and demonstrate great community spirit and creativity.